PRESS​:

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"Joseph Napolitano’s elegant set augments the remaining look and feel of the production, providing an expensively produced “feel” to the play. Kudos."

- JK Clarke, Theatre Pizzaz (The Rape of Lucrece)

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"Joseph Napolitano’s set provides a sense of dread to capture the imagination. The wall pieces—blue-grey, crumbling gothic, suggesting a historic city going to rot—hang from the ceiling. They are rearranged for each of the plays and provide a single aesthetic for all three."

- Julius Ferraro, Phindie (You Know My Name)

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"Joseph Napolitano’s set design works well. The overall “feel” of the production works, making the technical aspects seem non-existent, like they should. We are never directly aware of these elements, which means that their job was done with skill. Every good piece of theater requires masterful production values that don’t draw too much attention to themselves, but let the actors shine. We know they’re present, but only when we consciously think about it."

- Nicholas Linnehan, Theater That Matters (Manuscript)

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